This entire sub-domain is a private effort of free information.
There are no cookies, no advertisements of any kind, and nothing for sale.
Arthur C. Clarke (BSc. Mathematics + Physics - King's College London)
To film buffs,
Arthur C. Clarke is best known as the author who collaborated with Stanley Kubrick to produce 2001: A Space Odyssey.
The scientific community remembers him as the man who first conceptualized geosynchronous communication-satellites, in a 1945
paper that became the foundation for modern communications technology. But science-fiction fans have any number of touchstones
for the British author: He's one of very few to be designated a Science Fiction Grand Master, he's the author of the classic
novels Childhood's End and Rendezvous With Rama, and he first created the popular axiom "Any sufficiently advanced technology is indistinguishable from magic." By his late 80s, Clarke had written or
collaborated on more than 70 books, including three 2001 sequels, three Rendezvous With Rama sequels (co-authored with Gentry
Lee), two autobiographies, a wide variety of essays, short stories, and two
video games. His non-fiction includes collections of his correspondence with C.S. Lewis and Lord Dunsany, as well as many
books on physics, science, and space travel, from 1950's guidebook Interplanetary Flight to 1994's The
Snows Of Olympus, a graphic look at a terraformed Mars. His latest, Time's Eye, is a new
collaboration with Stephen Baxter, the first in a series of novels involving a cataclysm that slices Earth into segments from
across history, leading cosmonauts and prehistoric humans to mix in an epic struggle. From his home in Sri Lanka, Clarke spoke
(2004-02) with The Onion A.V. Club about religion,
transcendence, the possibility of life on Mars, and the dinosaur that was named after him.
It all began at Christmas 1948 - yes 1948 - with a four-thousand-word short
story that I wrote for a contest sponsored by the BBC (British Broadcasting Corporation). The Sentinel
described the discovery of a small pyramid on the Moon, set there by some alien civilization to await the emergence of mankind
as a planet-faring species. Until then, it was implied, we would be too primitive to be of any interest. The BBC rejected my
modest effort, and it was not published until almost three years later in the one-and-only (Spring 1951) issue of "10 Story
Fantasy" - a magazine that, as the invaluable Encyclopedia of Science Fiction wryly comments, is "primarily remembered for its
poor arithmetic (there were thirteen stories)."
From "Valediction", "3001: The Final Odyssey"
Ballantine Books (1997) hardcover edition
"Astrologers used to believe that Man's destiny is
controlled by the stars. But one day it may come to pass that the stars' destiny is controlled by Man."
Three monoliths are introduced to humanity: a small monolith 6 million years ago on Earth; a larger monolith is found
buried on the moon; a huge monolith is found in orbit around Jupiter
On the journey to Jupiter, HAL-9000 (the onboard computer) kills
astronaut Frank Poole during a spacewalk to repair
the AE-35 antenna
Dave Bowman disconnects HAL then continues the
mission alone
"2001: A Space Odyssey" began with "Moon-Watcher" in Africa; "Time's Eye" begins with "Seeker" in the North-West
Frontier (Pakistan - Afghanistan border); Earth has been observed for eons by the "Firstborn"
This books spends too-much time in the past and yet you need to read it in order to read the next book
Based on the novel by Arthur C. Clarke. By now, the year 2130, all of the largest asteroids in the solar system have long since
been discovered. Smaller ones are being downed at the rate of a dozen a day. So when a huge new asteroid appears the only
surprise is that is was overlooked for so long. It is duly assigned the next available name, Rama, and is promptly forgotten
about - but not for long. As Rama approaches the Earth, every question about it seems to have an answer that raises more
questions. And as observations continue, the most impossible explanation becomes the only one: Rama is actually a spaceship. The
next step is obvious: mankind must attempt a rendezvous. But only one of our spaceships is close enough. As fate has it, that
ship is Endeavor - the ship that you command. Without even reading them, you know what your orders will be: to rendezvous with
the giant ship, to explore it, to meet with its inhabitants, and to return home before it speeds on its orbit away from the
solar system. Yet even in your excitement, you realize it is not an easy mission. You will have to make difficult decisions -
many of them. And you will have to work very fast - because if you stay on Rama too long, returning home will be impossible.
From the first moment it has been clear: this is the mission of your lifetime. Thousands would gladly sacrifice anything for the
chance. Only you can explore Rama. Rendezvous with Rama is the first computer adventure to be produced in collaboration with
Arthur C. Clarke. The program allows you to talk with three other crew members. Multiple disks offer extended play - and the
game may be played with or without graphics. Arthur C. Clarke, world-famous author of 2001: A Space Odyssey, continues to be a
major force in science fiction; over twenty-million copies of his books have been printed World-Wide. The novel Rendezvous with
Rama has won three highest science fiction awards: the Hugo, the Nebula and the John W. Campbell Awards. The adventure game
Rendezvous with Rama was developed and produced by Byron Preiss Video Productions, Inc., leading designers of entertainment and
educational software. Their technical director is Lee Jackson.
From The Dust Jacket:
Arthur C. Clarke, visionary author of both science fact and science fiction, first conceived of satellite communications in
1945--and twenty-five years later his dream became reality. Now, in this new personal and colorful nonfiction work, Clarke
examines the rapid transformation of our society by technology and communication. As the infant field of communications began
growing in the early part of this century, so did the boy named Arthur C. Clarke--who watched, wide-eyed, as his small English
village was transformed overnight. In his job as the village switchboard operator he once overloaded the circuits, excitedly
eavesdropping on his first transatlantic call. From there his involvement grew more and more technical, culminating in his
now-famous paper "Extra-Terrestrial Relays," which anticipated many of the developments of the next fifty years. For five
thousand years communication never advanced beyond the speed of horse and wind-driven ship--but in the explosive span of
thirty years, it changed forever. Newer, faster communication toppled tyranny, won wars, and changed history all the way from
the second Russian Revolution to the Gulf war. Here is the story of the stranger-than-fiction mishaps, oversights, capricious
acts of fate, and incredible human energy that eventually transformed the earth into our modern global village. Clarke brings
unique expertise and a lifetime of experience to How the World Was One. Beginning with submarine cables, through the
development of fiber optics and communications satellites, and then projecting far into a future of neutrino, gravitational,
and tachyon (faster than light) communications, Arthur C. Clarke shows how these remarkable innovations shaped and changed the
earth--and made the world one.
Excerpt from Preface, Page 1, Paragraph 3
Nevertheless, Toynbee was essentially correct. Except for a few dwindling tribes in (alas) equally dwindling forests, the
human race has now become almost a single entity, divided by time zones rather rather than by natural frontiers of geography.
The same TV news networks cover the globe; the world's markets are linked by the most complex machine ever devised by
mankind -- the international telephone/telex/fax/data transfer system.
Excerpt from Preface, Page 2, Paragraph 2
Despite the linguistic, religious, and cultural barriers that still sunder nations, the unification of the world [by
telecommunications] has passed the point of return...
Excerpt from Chapter 1, Page 1, Paragraph 3
This state of affairs has existed for the greater part of human history. When Queen Victoria came to power in 1837, she had no
swifter means of sending messages to the far parts of her empire than had Julius Caesar -- or, for that matter, Moses.
Excerpt from Chapter 27, Page 200, Paragraphs 3-4
Telstar (and its successor Telstar 2, launched May 7, 1963) showed that active satellites could do everything that had been
claimed for them, and with very modest powers -- as long as they were backed up by massive ground equipment. The Bell System
had built an even larger horn-antenna for the Telstar than for Echo; the giant ear at Andover, Maine, weighed 370 tons yet was
able to track the speeding satellite to an accuracy of better than a twentieth of a degree.
And that was the big problem. Because of its relatively low altitude (between 950 and 5,600 kilometres) Telstar 1 circled the
Earth several times per day; its orbital period was only a fraction of the magic twenty-four hours.
Excerpt from Chapter 27, Page 201, Paragraphs 3
... paradoxically, it takes rather more energy to park [a satellite] twenty two thousand miles up than to land on the
ten-times-more-distant moon.
Lord of Science (William Thomson a.k.a. Lord Kelvin)
False Start (to laying an Atlantic telegraph cable)
Triumph of Disaster
Post-mortem
The Brink of Success
Heart's Content (the first successful cable is laid)
Battle on the Seabed (they try to grapple for a dropped cable)
Girdle Round the Earth
The Deserts of the Deep
The Cable's Core
VOICE ACROSS THE SEA
The Wires Begin to Speak (Alexander Graham Bell)
The Man Before Einstein (Oliver Heaviside)
Mirror in the Sky (the ionosphere is discovered)
Transatlantic Telephone
"Wireless" (Clarke's boyhood recollections of crystal and valve (vacuum tube) radios
Exploring the Spectrum
A BRIEF PREHISTORY OF COMSATS
Beyond the Ionosphere
"You're on the glide path... I think..."
How I Lost a Billion Dollars in My Spare Time
"If you've got a message..."
The Making of a Moon (a reprinted short story)
"I Remember Babylon" (a reprinted short story)
STARRY MESSENGERS
Echo and Telstar
Syncon
Early Bird
The United States of Earth
Satellites and Saris
At the UN
Coop's Troop
Appointment in the Vatican
Happy Birthday, Comsat!
The Clarke Awards
CNN Live
Peacesat
LET THERE BE LIGHT!
Cable Comeback
Talking with Light
As Far As Eye Can See (like this book's title, Clarke appears to have a sense of humor :-)
Epilogue: Fin de siecle -- or Dawn of a New Millennium
Postscript: The Second Russian Revolution
Appendix A
Appendix B
Neil's Comments: I was surprised to learn that many telegraph cable projects were doomed to
failure because overly optimistic participants refused to learn Ohm's Law.
Playing with technology resulted in the loss of many billions of dollars which is reminiscent of the losses associated with
the Dot-Com (dot-con?) meltdown of 2000-2002.
"When a distinguished but elderly scientist states that something is possible he is almost certainly right. When he states
that something is impossible, he is very probably wrong."
Clarke defines the adjective 'elderly' as :"In physics, mathematics and astronautics it means over thirty; in other
disciplines, senile decay is sometimes postponed to the forties. There are of course, glorious exceptions; but as every
researcher just out of college knows, scientists of over fifty are good for nothing but board meetings, and should at all
costs be kept out of the laboratory". (in Profiles of the Future.)
Clarke's Second Law:
"The only way of discovering the limits of the possible is to venture a little way past them into the impossible."
Clarke's Third Law:
"Any sufficiently advanced technology is indistinguishable from magic."
Though he wrote after the laws that "Since three laws was sufficient for both the Isaacs - Newton and Asimov - I have decided
to stop here", he continued to write laws, as we can see in the Appendix 2 of The Odyssey File where he states
the Clarke's 69th Law:
"Reading computer manuals without the hardware is as frustrating as reading sex manuals without the software."
Clarke's Fourth Law:
“For every expert there is an equal and opposite expert.”
Cool quote:
A hundred years ago, the electric
telegraph made the United States of America possible if not inevitable. The communications satellite will make a United Nations
of Earth equally inevitable. Let us hope that the transition period will not be equally bloody.
Arthur C. Clarke, "First on the Moon", 1970
Star Trek fan reboot
Prelude
No one can deny that Star Trek: TOS (the
original series) introduced the public-at-large to science fiction so I still do not understand why Gulf+Western (which
acquired Desilu in 1967 then was renamed to Paramount) did not
do a better job funding writers and set designers. They owned the goose that laid golden eggs (to quote
Aesop) but only fed it a substandard diet.
The infighting associated with Star Trek: TNG
(my favorite series) is well known especially after watching a recent William Shatner documentary titled
Chaos on the Bridge but I am certain that most sci-fi fans only recognize half of these episodes as true sci-fi
Star Trek: Enterprise showed promise but I have no idea
what the hell happened to sci-fi during Star Trek: DS9
and Star Trek: Voyager. I watched ever episode hoping for
more sci-fi but it seemed like Hollywood was cranking out Star Trek episodes the way that butchers crank out sausage
Everyone reading this already knows about the Star Trek movie odd-number curse and most would agree with
it being a writing problem. You can spend all the time you want reediting a movie, or adding more CGI, but if the story sucks
the movie will be much less profitable (for proof: just look to the successful comics which have zero CGI). I wonder what
would a Ferengi say about that?
Speaking about lack of sci-fi stories, did Hollywood really think rebooting Star Trek with in an alternate universe with a
younger Kirk and Spock (Star Trek: 2009) or Khan in 2013 (Star_Trek_Into_Darkness) would be desirable or successful?
Both stories have plot holes large enough to fly a Star Ship through. And do we really need to recycle these characters again?
Fan-based Creations
Apparently fan-based Star Trek creations (none of which are allowed to make a profit since Star Trek is a
registered product currently owned by CBS) have stumbled onto the missing ingredient: Good Writing
Since the advent of Kickstarter to acquire alternate funding, and YouTube to
serve up content, I have been very pleased with this unexpected new direction for the Star Trek cultural phenomenon. Here are
a few of many:
Update -2016: Oops, no full movie yet because CBS is suing Axanar Productions for copyright
violation. This makes no sense whatsoever. If CBS executives were smart, they would divert the money for
this lawsuit toward licensing Axanar for viewing on their network or pay-per-view service.
TRON (actually Science-Fantasy, but still really neat)
TRON (1982 movie)
TRON uses the I/O tower to communicate with his user, "Alan1" (Here is my disc)
TRON is probably the best science-fantasy computer theme ever made into a movie (what else would you expect from Disney?). People
studying computer science, working in IS/IT, or just hacking will recognize many more metaphors. This must be why TRON is an
underground cult classic with computer engineering students.
Computer Trivia:
In the early days of computing many video terminals had TRON (trace on) and TROF (trace
off) keys
In the early days of BASIC interpreter programming, the developer could issue TRON and TROFF commands at the command prompt
prior to using a RUN command. Later on, some BASIC dialects allowed tracing to be enabled/disabled by inserting TRON control
statements within the source program.
In the 1970s and 1980s, DECPDP-11
minicomputers running the RSX-11M operating system signaled readiness to
the operator with an MCR> prompt. MCR is an acronym for Monitor Console
Routine. In the TRON movie, the computer's operating system is the MCP which stands for Master
Control Program. Coincidence?
p.s. in the movie, the MCP was always seen rotating even when it appeared to stop and stare at TRON. In a single
CPU system only one process (program instance) can run at any time. So the OS runs a scheduler which
allocates a small slice of time (10-100 mS) to each waiting user process. A programmable RTC (real time clock) interrupts
the active thread (putting the just-running-process back to sleep) then handing control back to the scheduler. The scheduler
would then rotate to the next waiting process.
Memorable Lines (and more trivia):
Who does he calculate he is?
rather than "who does he think he is?"
Can I merge with this memory? Bit?
CLU "polling" the bit; only assembly-language programmers will know what this means
Oh my User.
rather than "Oh my god"
Video game warriors leaving the game grid...This is an illegal exit!
in modular programming one needs to leave a program, routine, subroutine, or function, through a planned exit point. If
you just jump out in the middle (spaghetti code), or crash out (stack dump), or fault out (illegal instruction), or bounce
out (noise on the address bus lines), then you have experienced an illegal exit.
(well to be honest, spaghetti code isn't illegal as much as bad form)
We had better! Null Unit...
on some systems null units were device drivers with no attached device. They were an aid to learning how to program;
they were also a convenient way to delete data by copying to null. On PDP and VMS systems this device had the name "NL:"
Targets leaving protected field.
a protected field can either refer to a protected memory location (you are only able to access it if you have the
necessary privileges) or a protected field in a database or an on-screen form.
Mr. Henderson
a full branch manager
(never seen in the movie)
Peter Jurasik (Ambassador Londo Molari in Babylon 5)
BIT
???
CGI (computer generated graphics)
MCP
???
CGI (computer generated graphics)
Spiders
??? (anti-virus)
CGI (computer generated graphics)
Recognizers
??? (system monitors?)
CGI (computer generated graphics)
Tower Guards
??? (part of the scheduler?)
CGI (computer generated graphics)
More Thoughts (comparing the real world to the computer paradigm)
The earliest developers of any OS (operating system) write the device-driver software. So it makes sense that Walter Gibbs
would appear as the I/O tower guardian since that I/O Device driver would probably have been written by him.
Diseases:
Real-world biological viruses come in two major flavors.
An DNA virus is a virus that has DNA as its genetic material and
replicates using a DNA-dependent DNA polymerase.
An RNA virus is a virus that has RNA as its genetic material
most RNA viruses employ RNA to stop a cell dead in its tracks
then hijack cell organelles (like the ribosome) to make more copies of the virus. One example is influenza.
A retrovirus is an RNA virus that is replicated in a host
cell via the enzyme reverse transcriptase to produce DNA from its RNA genome. The DNA is then incorporated into the
host's genome by an integrase enzyme. The virus thereafter
replicates as part of the host cell's DNA. Retroviruses are
enveloped viruses that belong to the viral family Retroviridae (e.g. HIV,
the virus that causes AIDS).
Real-world computer viruses comes in multiple forms mimicking biological viruses
one type of virus will highjack your whole machine
one type of virus will highjack an individual program (like a browser)
one type of virus will copy itself into other software (like a retrovirus) so normal program operation will also quietly
propagate viral copies which may express itself later or elsewhere (think Stuxnet)
Medical researchers tell us that 20% of all cancers are caused by viruses (HPV
is one example).
Cancer is best described as individual cells starting doing their own thing rather than being part of a cooperative
whole (perhaps cells "forget their current function" or "are incapable of communicating with neighboring cells which is
necessary to be part of a cooperative whole").
So if cancer is best defined as a move from "being part of a cooperative" to "cells doing their own thing", then isn't
this a real-world example of deresolution (derezing)?
TRON: Legacy (2010 movie)
It seems me that corners were cut in the TRON: Legacy storyline. What's up with movie producers these days?
Don't they realize that without a perfect story there will be no market to fleece for the next 10-20 years? (witness Star Wars
Prequel and Blade Runner to only name two of many). I watched TRON: Legacy in 3d and although the graphics
were superb, the story was no where near as good as the original TRON movie from 1982.
A professional writer once told me "if it
wont work on the page then it wont work on the stage"
My advice to sci-fi movie producers: only allow comic book people to write your screen plays and have them do all the
story-boarding in a comic book format. If the story won't work in a comic book (where there is no CGI to lean on) then the movie
will not work on the silver screen or anywhere else.
Program
User
Actor
CLU (Codified Likeness Utility)
Kevin Flynn
Jeff Bridges
TRON: Evolution (2010 game)
TRON: Evolution (2010) is is the game version of TRON: Legacy (2010 movie)
So you are recalling your sci-fi youth and wouldn't mind rereading Magnus, Robot Fighter 4000 A.D.
but don't want to buy expensive plastic-wrapped originals so what do you do? It turns out that a really cool company called Dark Horse Comics has republished the first 21
Magnus issues in three hard-cover books on high quality paper (:
Volume-1 contains Magnus, Robot Fighter comic book issues 01-07 (1963-02-xx to 1964-08-xx) 205 pages
many of these stories seem to be the basis for many other sci-fi products, like:
The Matrix
Story #1 tells how one robot kidnapped 1,000 people then connected them electronically to form a giant
computer. In the Matrix, all of humanity is connected to a computer to keep us dreaming while our bodily
fluids are drained off to run a power plant.
Star Trek: TOS (The Original Series)
Magnus is replaced with a robot equivalent then other people don't know which one is human as is seen in the
episode What Are
Little Girls Made Of?
Magnus is beamed 60,000 light years (through sub-space) to the robot planet called Malev-6 and then is taken
captive by installing a remote-controlled metal ring around his neck as is seen in the episode
The Gamesters of Triskelion
The robot planet of MALEV-6 was created 1,500 galactic years ago when a robot ship crash landed. Over the
eons, hard radiation from Malev corrupted/modified the ship's self repair system. This is a variation of the
story present in the episode The
Changeling
humans are too dependent on robots as is seen in the episode
I, Mudd
although the evil genius-scientist Xyrkol is human with a beard, he does have a prominent set of pointed
ears which look just like those on Mr. Spock.
Babylon 5
the last story tells us how the 1,000 people from the first story are telepathic (were they selected as
computer processors because they were telepaths, or did they become telepathic as a result of the experience?)
and how they all held hands to increase their psychokinetic powers so they can assist Magnus on Malev-6. This
sounds just like something that happened in Babylon-5 episode "A
Race Through Dark Places"
Volume-2 contains Magnus, Robot Fighter comic book issues 08-14 (1964-11-xx to 1966-05-xx) 197 pages
Volume-3 contains Magnus, Robot Fighter comic book issues 15-21 (1966-08-xx to 1968-02-xx) 176 pages
Even though I read this stuff 40 years ago, I remember some of the artwork including one scene where robots are
feeding morbidly obese humans
Story #21 ("Space Specter" which was published 1968-02-xx) is about an attack on North Am which affects everyone
except descendants of Blackfoot Indians. Magnus uses their help to defeat the alien presence affect two robot
geniuses. This story caused me to recall the Star Trek episode titled The
Paradise Syndrome which aired 1968-08-1
Space Family Robinson
this 1962 Gold Key Comics publication was based upon the Disney
movie "Swiss Family Robinson". This comic was later turned into the disappointing TV program "Lost
in Space". The comic was serious sci-fi but the TV program was some sort of bad joke.
Klaatu's Speech: I am leaving soon and you'll forgive me if I speak bluntly. The universe grows smaller every day and
the threat of aggression by any group anywhere can no longer be tolerated. There must be security for all or no one is secure.
Now this does not mean giving up any freedom, except the freedom to act irresponsibly. Your ancestors
knew this when they made laws to govern themselves and hired policemen to enforce them. We, of the other planets, have long
accepted this principle. We have an organization for the mutual protection of all planets and for the complete elimination of
aggression. The test of any such higher authority is, of course, the police force that supports it. For our policemen we
created a race of robots. Their function is to patrol the planets in spaceships like this one and preserve the peace. In
matters of aggression we have given them absolute power over us. This power cannot be revoked. At the first signs of violence
they act automatically against the aggressor. The penalty for provoking their action is too terrible to risk. The result is we
live in peace without arms or armies, secure in the knowledge that we are free from aggression and war, free to pursue more
profitable enterprises. Now, we do not pretend to have achieved perfection, but we do have a system, and it works. I came here
to give you these facts. It is no concern of ours how you run your own planet, but if you threaten to extend your violence,
this Earth of yours will be reduced to a burned-out cinder. Your choice is simple: join us and live in peace, or pursue your
present course and face obliteration. We shall be waiting for your answer. The decision rests with you.
As George Winston, the beleaguered hero of George Orwell's "1984", leafed through Emmanuel
Goldstein's subversive tract "The Theory and Practice of Oligarchical Collectivism" he learns the rationale that underlies the
mobilization for perpetual war. According to the principles of doublethink (synonym for American
Neo-Con Newspeak?), Winston reads, it does not matter if the war is not real or real, victory is not possible – what matters
is that the masses are kept are kept in a relative state of deprivation. Thus the purpose of war is to destroy surplus wealth
(+US$400 Billion in Iraq?) in order to maintain the hierarchical structure of society – the status quo. As George Orwell
baldly puts it, "A hierarchical society is only possible on the basis of poverty and ignorance. In principle the war effort is
always planned to keep society on the brink of starvation - the war is waged by the ruling group against
its own subjects and its object is not the victory over either Eurasia or east Asia but to keep the very structure of
society in tact"
Sonny: I just might get to like this place. Let's see if the Braves are on. How do you turn on this here teevee? Riker: Teevee? Sonny: Yeah, boob-tube... you know. I'd like to find out how the Braves are doin' after all this time. Probably still
finding ways to lose. Data to Riker: Oh -- I think he means television, sir. Sonny: Or maybe catch up on the soaps. Data to Sonny: That particular form of entertainment did not last much beyond the year Two Thousand Forty. Reference: STAR
TREK: THE NEXT GENERATION - Episode 126 - Titled: "The Neutral Zone" Reality: Television died in 2004; not 2040 Reason: in order to maximize their profits, the networks decided to replace programs based
upon "professional writing and acting" with "so-called Reality TV"
Cool quote from Star Wars Episode II: Attack of the Clones:
00:12:24 I'd much rather dream about Padmé.
00:12:27 Just being around her again is... intoxicating.
00:12:31 Be mindful of your thoughts, Anakin. They betray you.
00:12:34 You've made a commitment to the Jedi order, a commitment not easily broken.
00:12:38 And don't forget, she's a politician, and they're not to be trusted.
00:12:41 [ Anakin ] She's not like the others in the senate, Master.
00:12:44 [ Obi-Wan ] It is my experience that senators...
00:12:46 focus only on pleasing those who fund their campaigns...
00:12:50 and they're in no means scared of forgetting the niceties of democracy...
00:12:53 -in order to get those funds. - [ Anakin ] Not another lecture.
00:12:55 At least not on the economics of politics.
First a little Star Wars movie history: The first three movies (SW1-3
:: 1977-1983 :: EP4-6) are titled episodes 4-6. The second three movies (SW4-SW6 :: 1999-2005 :: EP1-3) are titled episodes
1-3. In my world, sci-fi fans are split down the middle: some prefer the first three movies while others prefer the second
three. There is no right or wrong here, it's just a matter of preference (some people hate Jar Jar Binks while others hate the
Ewoks; some loved watching Yoda training Luke on Dagobah while others like me preferred the martial arts of Darth Maul; some
thought the first three were targeted at children while others thought the politics of the second three made them more
appropriate for adults). SW7 (2015) follows the story SW3 (1983) and was co-written with Lawrence
Kasdan (who also co-wrote SW2 + SW3) so I suspect that only half the audience will love it.
comment-1: Okay so I just saw the film in 3D and can tell you all that SW7 is better than any of the
first three movies (1977-1983) but not better than any of the second three (1999-2005). I have no idea why people where
watching it multiple times when it opened.
comment-2 - Recently I have found that if you prefer the movies from 1977-1983 then you probably like
SW7 (the force awakens) and SW8 (the last jedi). But I am not one of these people although I like the idea of a female
warrior. IMHO, Star Wars is going to end up like Mickey Mouse. Parents are going to drag their kids to the movies as well as
the theme parks but the kids aren't going to have a clue. But Disney will make money.
I just watched season #1 of
The Man in the High Castle and was very impressed (like all good science fiction, this story is very thought provoking)
Based on the award-winning novel by Philip K. Dick, and
executive produced by Ridley Scott (Blade Runner, Alien,
Gladiator, The Martian), and Frank Spotnitz (The X-Files), The
Man in the High Castle explores an alternate an alternate world where the Allied Powers lost WWII, leaving
Japan and Germany to rule the United States
comment: Last year I watched season-1 on a PC with a 22 inch (58.8 cm) hi-def monitor. This
year I rewatched season-1 on a 60 inch (152 cm) Samsung HDTV (via a PS4) and came away with totally different
experience. Why? You miss too many visual details on the small screen. Think about what Blade Runner
might look like on a small screen on a pad or phone.
Four seasons are now online at Amazon Prime Video (some) Differences between the book and the video
Item
Book
Amazon Video
Frank and Juliana
married
not married (perhaps dating or just living together)
The Expanse might
be the best science-fiction story ever shown on TV (scores 100 on
rotten tomatoes) so here's what I don't understand: the SyFy Channel in the USA
cancelled The Expanse after season #3. I'm not certain of their reasons but they mentioned "returning to
their roots" which assumes more "zombies" as well as "teenage girls romancing vampire bad-boys" (neither are sci-fi). This is
a long roundabout way of saying that if you are a sci-fi fan like me, and have limited entertainment funds, then you may need
to swap your "SyFy subscription" for Amazon Prime Video where season 4 of the Expanse
was published on 2019-12-13 (Seasons 1-3 were placed online 2019-04-xx) and Season-5 has been officially
confirmed. And while there be sure to watch all four seasons of the Philip K Dick classic The Man in the High
Castle (discussed just above) or the techno thriller Mr. Robot which has nothing to do with
robots.
Three cheers for big budget sci-fi. We all know about the struggles getting sci-fi on corporate-run television networks:
recall how NBC strangled, then cancelled, Star Trek
just as it was taking off; recall how none of the big-three networks would touch Star
Trek: The Next Generation so it was only shown on independent stations; recall how Babylon
5 was kicked from network to network; recall how Fox fumbled Firefly
then tried to blame the whole thing on the show's producer; recall how Caprica
was squeezed out during a corporate takeover. Hey, I just realized that NBC owns SyFy so it looks like NBC did it to us again
This Sci-Fi show is the most realistic sci-fi shown on big screen, or small, since "Babylon 5". After you replace "warp-speed
and transporters (Star Trek)" and "jump gates (Babylon 5)" for flip-and-burn (The Expanse) it might be the most realistic sci-fi seen since "2001: A Space Odyssey"
Many of my friends think that Game of Thrones
is the best fantasy TV program of the past 10-years. While no one can deny that GOT is a very high quality production in
every way, I have no desire to watch GOT again but have already made it through the Expanse more than a few times (mostly
seeing things a little more accurately on a bigger screen TV)
"Mr. Robot" is a techno thriller and
psychological drama inhabiting a modern day story of nerds, computers and computer culture. Once you start watching you will
not be able to stop. All four seasons on Amazon Prime Video
All I need to know about life, I learned from STAR
TREK
The above text was taken from a laminated poster hanging on my office wall titled: "All I Need to know about life, I learned
from Star Trek"
No copyright notice could be located.
Seek out new life an new civilizations
Non-interference is the prime directive
Keep your phaser set on stun
Humans are highly illogical
There's no such thing as a Vulcan death grip
Live long and prosper
Having is not so pleasing a thing as wanting; it is not logical, but it is often true
Infinite diversity in infinite combinations (IDIC)
Tribbles hate Klingons (and Klingons hate Tribbles) (I guess that make me Klingon!)
Enemies are often invisible - like Klingons, they can be cloaked
Don't put all your ranking officers in one shuttle craft
When your logic fails, trust a hunch
Insufficient data does not compute
If it can't be fixed, just ask Scotty
Even in our own world, sometimes we are aliens
When going out into the Universe, remember: "Boldly go where no man has gone before!" (Today would read "Boldly go where no one has gone before!")
Cyberpunk
I have always been into cyberpunk and do not know why. Here is s short list of my cyberpunk entertainment (in chronological
order)
After season 3 of The Expanse finished on SPACE,
I was going through a sci-fi dry spell so I decided to watch one episode of Babylon
5each night. The current box set "Babylon 5: The Complete Series + The Movie / Crusade
Collection [DVD] [2004]" contains 39-disks so if you buy that along with "Babylon 5: The Legend of the
Rangers" and "Babylon 5: Lost Tales" you will be in for a special treat. Especially if you watch
everything in this order (one movie comes first, one
comes last but needs to be watched before you start Crusade)
My wife has only a passing interest in sci-fi but hearing the well-written dialog from the next room made her a Babylon-5 fan
before I finished season-1. One morning she asked me "do you think John Sheridan died at
Z'ha'dum?". At other times she has asked "do you think we should watch two episodes tonight?" Sure, no problem!
Total Recall 2070
By 2019-02-xx my wife and I had made it through all of the Babylon 5 media but there still wasn't anything neat on TV (well,
there's Star Trek Discovery but only a die-hard trekor like me
would watch it because there isn't much of a story). So I was rooting through my DVD collection when I happened upon Total
Recall 2070. What a treat. This series from 1999 was released (uncut) to DVD in 2011 but is only shown in 1.33:1 (4x3).
But at least there are some decent stories.
Firefly
Okay so this was a surprise to me. During Christmas vacation I met some people who mentioned Serenity
(2005) but didn't know about Firefly (or that it was
available on DVD). Once again let me yell out "STORIES can be found here"
p.s. I lent my Serenity DVDs to these people and they were totally blown away
TekWar
The TekWar series was created by William Shatner and shown
between 1994 and 1996. Like Total Recall 2070, TekWar was release on DVD in 2011. STORIES - STORIES - STORIES
Back to Home
Neil Rieck
Waterloo, Ontario, Canada.